Saturday, August 9, 2014

galipatam review

galipatam review

galipatam-review
Rating
2.52.52.52.52.5
User Rating

1.67/5 (3 Votes)

Movie Details


Cast: Aadi, Erica Fernandes, Kristina Akheeva, Rahul Ravindran, Pragathi etc
Story, Dialogues, Screenplay: Sampath Nandi
Direction: Naveen Gandhi
Producer: Sampath Nandi, Kiran Muppavarapu, Vijayakumar Vattikuti
Music: Bheems Ceciroleo
Camera: K Bujji
Editing: Rambabu
Date: 08-08-2014

Movie Rating

Director Rating (25 points): 10
Music Rating (25 points): 15
Artists Performance Rating (25 points): 12.5
Production & Other Technical Rating (25 points): 12.5
Total ( Out of Hundred ): 50 / 100 = 2.5 / 5

Movie Story

Arranged marriage couple Karthik (Adi) and Swathi (Erica Fernandes) wins best couple award at their work place. But their real life story is completely diverse. They quarrel everyday for no reason. One fine day they decide to take divorce to settle down with their former lovers. Parineeti (Kristina Akheeva), an open minded girl was Karthik’s ex-girlfriend and Swathi had one side lover Aarnav (Rahul Ravindran) in past life.

How friends and parents of both Karthik and Swathi react when they two divulge their decision of getting divorced? Did they change their mindset in climax or not?
Movie Advantages
1. Dialogues
2. Comedy
3. Few Songs
4. Aadi performance
Movie Drawbacks
1. Confusing Plot
2. Weak Screenplay
3. Erica Fernandes
4. Abnormal Ending
5. Pathetic Climax

Analysis

Story, Screenplay, Direction:
Sampath Nandi penned story, screenplay and dialogues wanted to convey the current generation love affairs, marriages and break ups. Let’s see how far his attempt has worked out:

Adi and Erica Fernandes are shown as cute and loving couple at first. Things change all of sudden when they celebrate occasion of winning best couple award. These characters behave dissuadously dissimilar to what director shows us in starting of film.

Then flash back episodes are revealed. Kristina Akheeva was Aadi’s ex-girlfriend who doesn’t believe in marriage system prefers live-in relationship.

On the other hand, Rahul Ravindran is one side lover of Erica waiting for her acceptance since 4 years. Erica has great respect for Telugu traditions, so wanted to marry a guy of her parents choice. Only one year after marriage, Aadi and Erica gets to know on what they were missing in marriage life.

This is not our conventional Telugu story, still director tries hard to convince us by showing the real face of our well cultured society. In climax, Telugu traditions and our ethics are shown as outdated before the present day modern youth thinking. One should have accepted and appreciated the climax, if Naveen Gandhi had strength in justifying content and narration.

Half an hour pre climax climax is diluted with unexpected and unwanted climax.

Sampath Nandi has written thought provoking dialogues. The old age grannies episodes were well written aimed at NRI Telugu people. Bharath and Gayathri scenes have a potent message.

Actual content is affirmed in second half and it was good till last half an hour. Anarchistic climax is the weak link for our audience mind set. 

Naveen Gandhi’s making standards are good and he credibly failed to deal crucial sequences.

However one should agree that Sampath did not give any message; it is infact the information and identity of current trend.


Music: Bheems Ceciroleo composed audio had gentle tunes. His background score is asset for the film.

Cinematography: K Bujji’s cinematography was neat. He picturized songs efficiently.

Editing: Rambabu’s craft cutting is not persuasive. Beginning the movie with actor Bharath and introducing Aadi later is a bad and insensible idea.

Production Values: Sampath Nandi Team works production values are too good for a small budget film.


Artists Performance:

Aadi: Aadi essayed the meaty role with perfection. He has shown lots of improvement in key sequences. Better, Aadi should stop or at least reduce the gym time as its effect was seen falling face.

Erica Fernandes: She was seen with same expression through out movie. She didn’t even take care to match lip sync with dialogues. Appearance prospect, she is far thin to a curtain.

oka criminal prema katha review

oka criminal prema katha review

oka-criminal-prema-katha-review
Rating
1.251.251.251.251.25
User Rating

2.67/5 (3 Votes)

Movie Details


Cast: Manoj Nandam, Anil Kalyan, Priyanka Pallavi, Sathyanand etc
Story, Screenplay, Dialogues, Direction: P Suneel Kumar Reddy
Music: Praveen Immadi
Camera: Sabu James
Editing: Archana Anand
Producer: Yakkali Ravindra Babu
Date: 18-07-2014

Movie Rating

Director Rating (25 points): 5
Music Rating (25 points): 5
Artists Performance Rating (25 points): 5
Production & Other Technical Rating (25 points): 10
Total ( Out of Hundred ): 25 / 100 = 1.25 / 5

Movie Story

Movie starts with Seenu (Manoj Nandam) attacking Bindu (Priyanka Pallavi) with acid. While Seenu is sent to jail, Bindu is rushed to hospital. Flashback is flashed in Seenu’s narration.

Seenu works in a photo studio in small village. He starts adoring a girl Bindu and this turns a two sided love over a period of time. In denouncing plight, Bindhu’s family shifts to Vizag where she senses domestic abuse from her uncle (Sathyanand). She has no option but to abide by her uncle’s torture. Hence, she avoids boyfriend Seenu who joins to work in Bindu's college canteen.

Depressed with Bindu’s behavior, Seenu attempts suicide. Bindu then reveals bad experiences with her uncle and Seenu settles on to finish off Bindu’s uncle.

Why Seenu pours acid on Bindu? What's the right validation Bindu’s uncle got in end?
Movie Advantages
Nothing much
Movie Drawbacks
1. P Suneel Kumar Reddy’s story, screenplay, direction
2. Over dosage of adult content
3. Lack of entertainment

Analysis

P Suneel Kumar Reddy is known for making youth oriented adult entertainers. The director also demonstrates a strong message through his films as seen in past Gangaputhrulu, Oka Romantic Crime Katha. Withal, what's wrong in them is, he focuses more on comprising of adult stuff overshadowing the actual message.

In Oka Criminal Prema Katha, director Suneel wanted to convey the message of child and domestic abuse in India. These sorts of subjects are to be dealt

run raja run review

run raja run review

run-raja-run-review
Rating
3.03.03.03.03.0
User Rating

3.30/5 (10 Votes)

Movie Details


Cast: Sharwanand, Seerat Kapoor, Adivi Sesh, Sampath Raj, Jayaprakash, Ali etc
Story, Screenplay, Dialogues, Direction: Sujeeth
Music: Ghibran
Camera: Madhie
Editing: Madhu
Date: 01-08-2014

Movie Rating

Director Rating (25 points): 15
Music Rating (25 points): 15
Artists Performance Rating (25 points): 15
Production & Other Technical Rating (25 points): 15
Total ( Out of Hundred ): 60 / 100 = 3.0 / 5

Movie Story

Youngster Raja (Sharwanand) lives with loving father Prakash (Jayaprakash of Naa Peru Shiva fame). Raja is a love failure not just once but fooled many times by several girls. He meets beautiful girl Priya (Seerat Kapoor) fortuitously and they end up as lovers. Priya’s dad, police commissioner Sampath (Sampath Raj), is appointed to chase a kidnap case of Minister.

A constable Nayeem (Adivi Sesh) tries to help commissioner in finding the kidnappers but he is neglected from the very first. When this constable plays crucial role in finding the clues of minister, Sampath starts believing in him and asks on what should be done to find the kidnappers.

To catch actual kidnappers and also to execute his daughter’s boyfriend Raja, Sampath plans a big sketch. Sampath asks Raja to kidnap a big shot to catch original kidnapers. Brainless Raja kidnaps Sampath’s daughter as he feels she is a big shot and can get romantic time to spend in the course.

How Sampath, Nayeem reacts? Who are the actual kidnappers and what is their intention? How is Raja's father involved in all this?
Movie Advantages
1. Good Story
2. Intelligent screenplay
3. Ample Entertainment
4. Sujeeth direction
5. Madhie Cinematography
6. Ghibran Music
7. Sharwanand stylish look
8. Seerat Kapoor glamour
9. Other artists performance
10. Production Values
Movie Drawbacks
1. Routine Flashback
2. Simple ending

Analysis

Artists Performance:

రవితేజ 'పవర్' ఫుల్ డైలాగ్ టీజర్

రవితేజ 'పవర్' ఫుల్ డైలాగ్ టీజర్





గతకొంతకాలంగా సైలెంట్ గా షూటింగ్ జరుపుకుంటున్న మాస్ మహారాజా రవితేజ, సడన్ గా ఓ పవర్ ఫుల్ టీజర్ తో వచ్చి హంగామా చేస్తున్నాడు. 37 సెకన్ల పాటు

geethanjali review

geethanjali review

geethanjali-review
Rating
2.52.52.52.52.5
User Rating

3.90/5 (30 Votes)

Movie Details


Cast: Anjali, Srinivasa Reddy, Harshavardhan Rane, Brahmanandam, Shakalaka Shankar, Satyam Rajesh etc
Story, Dialogues, Screenplay: Kona Venkat
Direction: Raj Kiran
Producers: MVVSatyanarayana, Kona Venkat
Music: Praveen Lakkaraju
Camera: Sai sri ram
Editing: Upendra
Date: 09-08-2014

Movie Rating

Director Rating (25 points): 12.5
Music Rating (25 points): 12.5
Artists Performance Rating (25 points): 12.5
Production & Other Technical Rating (25 points): 12.5
Total ( Out of Hundred ): 50 / 100 = 2.5 / 5

Movie Story

Aspiring director Srinu (Srinivas Reddy)  starts narrating a horror story to producer Ramesh Rao (Rao Ramesh).

In the story, a young girl commits suicide at her flat and boyfriend is accused, sent to jail. The girl becomes ghost and goes around the same flat.

Meanwhile, a wannabe filmmaker Srinu (Srinivas Reddy) along with software friend Madhu (Madhu Nandan) lands in the same flat getting cheated by broker (Prudhvi). Two other guys (Satyam Rajesh, Shakalaka Shankar) also join them later.

A beautiful girl Geethanjali (Anjali) comes everyday to same flat spending time with the four sipping coffee. Twist in the tale is- apartment watchman reveals a strange fact that Geethanjali was actually dead three months ago.

Enthusiastic producer Ramesh Rao is a little scared and wants to know rest of story. Here Srinu reveals that it is his real story and waiting to know why the evil spirit of Geethanjali is following him?

Who is Geethanjali? Did she really commit suicide? If not who are the culprits behind mysterious death?
Movie Advantages
1. First Half
2. Comedy
3. Raj Kiran Direction
4. Praveen Lakkaraju Music
5. Sai Sri Ram Cinematography
6. Production Values
Movie Drawbacks
1. Second Half
2. Brahmanandam
3. Weak Content
4. Prosaic Climax

Analysis

Story, Screenplay, Direction:
 
Geethanjali commits suicide in beginning of movie turns into a ghost. Srinivas Reddy and batch lands in the flat. Anjali visits the flat everyday becoming a good friend. First half runs smoothly with Srinivas Reddy, Satyam Rajesh and Shakalaka Shankar comedy. Story turns serious and interesting when two back to back twists are revealed- Anjali was dead few months ago and it was not a film story but a real life experience of Srinivas Reddy.

We have few doubts post first half: What is the need of Srinu batch staying in the same flat even after knowing about the ghost? Actually Kona's screenplay is bluffing with cremation ground shown before every single night episode.

Second half reveals who is Anjali and reasons for her death. Anjali was a classical dancer and a software engineer in profession leading happy life with family. She also had a boyfriend (Harshavardhan Rane). But things change with a birthday party of her boss.

Actual reason for Anjali coming everyday to the same flat is silly. There is no content to drive the story in second half when the flashback was revealed. This showed Kona's inconsitency in story expansion and scripting drawbacks.

With first half, you may conclude to an extent that Kona Venkat mark regular screenplay and fictious ‘dream’ comedy is not a part of Geethanjali. You are absolutely wrong. He is back to his scrap novelty in second half. Movie turns boring since the very start of second half and Brahmanandam’s comedy is atrocious.

Debutant director Raj Kiran dealt first half quite effectively like an experienced filmmaker. He handled horror as well as comedy sequences decisively. Second hald is totally diverse to first half in all departments screenplay, entertainment and making standards. Sequences of Brahmanandam training Anjali are tough to bear. 

They should have opted an irrational and new flashback episode with a reasonable climax.

Sai Sri Ram’s Cinematography is remarkable. Songs are good disturbing the flow. In fact, songs are of less priority for a horror-thriller genre. Background score is best. Editing is neat. Graphical work in climax was good and DI was effective through out. Production values are worth a special mention.

Artists Performance:
 
Anjali: She looked odd with plump figure full of tyres. Performance wise, she is good especially in climax. Anjali appeared pretty in flashback scenes.

Srinivas Reddy: He got meaty role and performed it with perfection. He is a comedy piece, its better for him stop trying the lead actor roles.

Friday, August 8, 2014

32 Ideas Of Life Changing Ways To Use Ordinary, Everyday Objects.

32 Ideas Of Life Changing Ways To Use Ordinary, Everyday Objects.

Architecture Art Designs brings you amazing 32 Ideas Of Life Changing Ways To Use Ordinary, Everyday Objects.
This article will help you and make your life easier. We all have this objects in our houses just they have a different purpose. We are giving you amazing ideas how to re purpose them. They will be even more functional and useful on this creative ways.
Tell your friends and family this amazing ideas, they are gonna love them.
Easy, creative and useful ideas will change your point of view on different ordinary, everyday objects.

To blot the oil from a greasy face,

Use a toilet seat cover

32 Ideas Of Life Changing Ways To Use Ordinary, Everyday Objects.

Add a few drops of vodka and a teaspoon of sugar,

to make cut flowers last longer.

32 Ideas Of Life Changing Ways To Use Ordinary, Everyday Objects.


To keep the soles from touching your clothes,

Pack your shoes in a shower cap

32 Ideas Of Life Changing Ways To Use Ordinary, Everyday Objects.



To dissolve ink stains,

Use hand sanitizer

32 Ideas Of Life Changing Ways To Use Ordinary, Everyday Objects.